NuForce AVP-16 User Manual download pdf (Page 2)

speciﬁcally for the left, center, right, and

subwoofer channels. This design touch

acknowledges the fact that some audio-

philes already own ampliﬁers with XLR-

inputs, and that stereo purists might

wish to make the transition to surround

sound incrementally, adding a center

channel and subwoofer

ﬁrst and surround

channels later on.

Purists Dig It

How does the AVP-16

perform in real-world

systems? I found the

AVP-16 was at its

best when playing

high-resolution mu-

sic material (SACD,

DVD-Audio, and Dual-

Disc) in Bypass mode.

Solid-state preamps

sometimes have a

cold, sterile quality

that distances listen-

ers from the music, but

the AVP-16 does not.

Instead, it offers a de-

lightful combination of

clarity and natural, or-

ganic warmth. On Gary

Burton’s Like Minds

[Concord, SACD], for

instance, the AVP-16

brought out the round,

full, honey-sweet to-

nality of Pat Metheny’s

jazz guitar, yet it also

had sufficient transpar-

ency to reproduce the

sound of Roy Haynes’s

sure and almost in-

describably delicate percussion work.

The AVP-16’s overall presentation on

Like Minds was so clean and pure that

many guest listeners offered unprompt-

ed compliments on the sound. On

well-recorded orchestral material such

as the Gergov/Norrlands performance

of David Chesky’s

Concerto for Orches-

tra [Urban Concertos,

Chesky, SACD], the

NuForce did a great job

of capturing the ambi-

ence of the recording

venue while convey-

ing the sound of an

orchestra arrayed on a

wide, deep, three-di-

mensional soundstage.

Overall, the AVP-16

sounded much like

NuForce’s excellent

P8 stereo preampli-

fier (reviewed in The

Absolute Sound issue

169), which is saying

a mouthful given that

the AVP-16 costs less

than the P8 does.

On CDs and other

stereo program mate-

rial the AVP-16 per-

formed well, offering

the expected bat-

teries of Dolby PL II

and DTS Neo:6 pro-

cessing modes, plus

eight proprietary DSP

modes (church, sta-

DiuM, thEatEr, and so

on.). The Dolby and

DTS modes proved

effective, though their sound was

not quite as pure and transparent

as that of the Bypass mode. My sug-

gestion would be to avoid using the

AVP-16’s other DSP modes, though,

since they aren’t up to the controller’s

otherwise high sonic standards.

On DVD movies, the AVP-16’s video

pass-through switching added no

visible noise or artifacts. Sonically,

the controller’s Dolby Digital and DTS

decoders worked well, though they

sometimes smoothed over extremely

low-level, high frequency textural de-

tails. As a small example, consider the

“Ann Disarms Kong” scene from King

Kong where Kong seizes a full-grown

bamboo tree to munch on as a light

snack. High-resolution controllers let

you hear an explicit snap and crunch as

the thick, tubular bamboo trunk breaks

apart while Kong chomps down on it. In

contrast, the AVP-16 captures the snap

of the trunk but loses textural detail

as Kong chews on the shattered tree.

Nevertheless, the AVP-16’s surround

sound processing easily equals that of

most mid- and some high-priced AVRs.

The AVP-16 will appeal to stereo

enthusiasts looking to take their first

steps toward home theater and mul-

tichannel music. The NuForce pro-

vides the core sonic qualities that

audiophile’s demand, with solid though

minimalist video switching and sur-

round sound processing features.

TPV

• Fine sound quality in BYPASS

mode

• Nice combination of clarity and

warmth

• Simple, effective video and

surround sound features

• Value

• No HDMI, no video upconversion,

no auto-setup

• Surround modes not as pure as

BYPASS mode

• Remote is beautifully made, but

ergonomics need work

Speciﬁcations

NuForce AVP-16 Multichannel Controller

• Decoding formats: Dolby Digital , Digital

EX and Pro Logic IIx; DTS, DTS-ES and

Neo:6; eight proprietary DSP modes.

• Video inputs/outputs: Component video

(three in, one out with support up to

1080i), S-video (four in, one out), compos-

ite video (four in, o ne out)

• Audio inputs/outputs: 7.1-channel analog

(single-ended RCA, one in, one out), 3.1-

channel analog (balanced XLR, one out),

stereo analog (seven in, one out), digital

audio (seven in—four coax, three optical)

• Dimensions: 3.54" x 17" x 18"

• Weight: 17.5 lbs.

• Price: $995

• nuforce.com

The Last Word

Poor Good Excellent

10 2 3 4 5 6 7 8 9 10

Value

Sound quality, ﬁlm

Sound quality, music

User interface

NuForce AVP-16 Multichannel Controller

(compared with similarly priced multichannel controllers)

TPV | March 2007

analog direct mode, and when

playing well-recorded material

at moderate volume levels. The

receiver’s subtle touch of warmth

and overall clarity helped it

render instrumental and vocal

timbres effectively. For example,

it sounded terrific on the Heifetz

recording of the Sibelius Violin

Concerto in D Minor [RCA Living

Stereo, multichannel SACD], cap-

turing the violinist’s sweet, sure,

lustrous string tone. Two small

drawbacks are that the Sony

offers good but not great sound-

staging and can sound bright or

rough on vigorous transients.

Fortunately, these minor flaws

rarely intrude on the Sony’s

warm and inviting core sound.

Lost in Translation

The only area where I had

significant reservations about the

STR-DG800 involved its user

interface, which I found difficult

to use. First, the receiver provides

no onscreen menu display,

instead showing menu informa-

tion only in the receiver’s front

panel display window. Second,

the Sony’s automated speaker

set-up feature for some reason

recognizes all speakers in the

system except for powered

subwoofers. As a result, all

subwoofer configuration settings

must be entered manually.

Finally, the receiver’s remote

control is far from intuitive and

makes common control tasks (for

example, adjusting channel level

trims on the fly) much more

difficult than they ought to be.

Overall, Sony’s STR-DG800

receiver offers a versatile mix of

features, functions, and I/O

options, and it provides very

strong core performance for the

money.

My only wish is that its user

interface made its performance

capabilities easier to tap—

especially for first-time AVR

owners. The good news is that

the performance fundamentals

are all in place; Sony just needs

to do a bit more work on the fine

points.

TPV

www.theperfectvision.com March 2007

Sony | (877) 865-7669 | www.sonystyle.com

I N S I D E R S T I P :

Do not even

think

about setting this

AVR up without reading its manual

beforehand.

As reviewed in issue 72 of The Perfect Vision and issue 168 of

The Absolute Sound.

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